Hi everyone!
Curious to know how it all started?
Let me tell you a bit more about myself. How I went from working as a gallery and exhibition manager, to launching the first Artlogic Consultancy and helping clients set up for success.
Hi everyone!
Curious to know how it all started?
Let me tell you a bit more about myself. How I went from working as a gallery and exhibition manager, to launching the first Artlogic Consultancy and helping clients set up for success.
I’m Alice!
I started Artina after seeing how many galleries, artists and collectors were struggling with migrating to a new system, and were missing out on the opportunities of having a well-organised database and website.
Back in 2018, when I started working as an independent Artlogic Specialist, I quickly fell in love with the tools Artlogic offers. I was excited to see how much time galleries could save with an integrated CRM and CMS.
Over the past seven years, I have deeply enjoyed accompanying new Artlogic clients in transitioning to a new system. With so much demand from new clients, when I reached capacity, I decided to launch the first dedicated Artlogic Consultancy, so that more art businesses could benefit from my services.
Prior to founding Artina, I worked as gallery and exhibition manager in Paris, London and Lisbon, where I played a key part in developing information management systems and gallery templates, and gained a deep understanding of the day-to-day realities of running a gallery and working with artists in a competitive art market.
I’m Alice!
I started Artina after seeing how many galleries, artists and collectors were struggling with migrating to a new system, and were missing out on the opportunities of having a well-organised database and website.
Back in 2018, when I started working as an independent Artlogic Specialist, I quickly fell in love with the tools Artlogic offers. I was excited to see how much time galleries could save with an integrated CRM and CMS.
Over the past seven years, I have deeply enjoyed accompanying new Artlogic clients in transitioning to a new system. With so much demand from new clients, when I reached capacity, I decided to launch the first dedicated Artlogic Consultancy, so that more art businesses could benefit from my services.
Prior to founding Artina, I worked as gallery and exhibition manager in Paris, London and Lisbon, where I played a key part in developing information management systems and gallery templates, and gained a deep understanding of the day-to-day realities of running a gallery and working with artists in a competitive art market.
Gallery Manager & Curator
I’ve worked as a gallery and exhibition manager and I’ve curated 22+ contemporary art exhibitions.
Art Meets technology
I now help galleries, artists, and collectors grow their art businesses with systems and websites that tell their stories.
A Global Journey
From Paris to London (and sunny Lisbon!), my gallery experience gives me a deep understanding of the art world’s challenges and opportunities.
Environmental Sustainability
I also guide institutions in their sustainability journeys, from the Web(s) of Life exhibition at the Serpentine Gallery to V&A Dundee.
Gallery Manager & Curator
I’ve worked as a gallery and exhibition manager and I’ve curated 22+ contemporary art exhibitions.
Art Meets technology
I now help galleries, artists, and collectors grow their art businesses with systems and websites that tell their stories.
A Global Journey
From Paris to London (and sunny Lisbon!), my gallery experience gives me a deep understanding of the art world’s challenges and opportunities.
Environmental Sustainability
I also guide institutions in their sustainability journeys, from the Web(s) of Life exhibition at the Serpentine Gallery to V&A Dundee.
My writing appears regularly in art publications, including Umbigo Magazine, for which I wrote as a recurring contributor between 2019-2022. I was awarded the Arts Council England Grants for the Arts funding for the curation of Hyper Mesh at Assembly Point (2019) and FRAME Contemporary Art Finland funding for her research visit in Helsinki (2018). My curatorial work has been featured online in Art Viewer, WallPaper and ArtPiq, and in print publications JAWS: Journal of Arts Writing by Students and Friends of the Artists.
I hold a Master’s degree in Arts and Cultural Management from the University of Paris-Dauphine and a Bachelor’s degree in International Business from Dublin City University, with a major in Digital Marketing. I’m a member of the Green Art Lab Alliance, the Future Bank Materials working group and the Ki Culture professional network.
If you think we’re a good fit, email me!
Alongside my passion for art and technology, I’ve built a career as an independent art curator, writer, lecturer, and environmental sustainability consultant for museums. My recent work with Julie’s Bicycle includes collaborations on the Tomás Saraceno exhibition at the Serpentine Gallery, as well as work with V&A Dundee, the Barbican, and UP Projects. While freelancing with Ki Culture, I collaborated with Atelier de Restauration et de Conservation des Photographies (ARCP), Cornwall Museum Partnership (CMP), the Nigerian National Museum, and Rok Box.
My writing appears regularly in art publications, including Umbigo Magazine, for which I wrote as a recurring contributor between 2019-2022. I was awarded the Arts Council England Grants for the Arts funding for the curation of Hyper Mesh at Assembly Point (2019) and FRAME Contemporary Art Finland funding for her research visit in Helsinki (2018). My curatorial work has been featured online in Art Viewer, WallPaper and ArtPiq, and in print publications JAWS: Journal of Arts Writing by Students and Friends of the Artists.
I’m also the founding director of the Zone d’Utopie Temporaire (Z.U.T.) residency programme (2014-2018), a nomadic annual residency addressing the notion of Utopia as a vehicle for artistic and critical comment, and the co-founding director of Picnic (2018-2020), an exhibition space occupying a long vitrine in the Aylesham Centre in Peckham, London.
I hold a Master’s degree in Arts and Cultural Management from the University of Paris-Dauphine and a Bachelor’s degree in International Business from Dublin City University, with a major in Digital Marketing. I’m a member of the Green Art Lab Alliance, the Future Bank Materials working group and the Ki Culture professional network.
If you think we’re a good fit, email me!
My writing appears regularly in art publications, including Umbigo Magazine, for which I wrote as a recurring contributor between 2019-2022. I was awarded the Arts Council England Grants for the Arts funding for the curation of Hyper Mesh at Assembly Point (2019) and FRAME Contemporary Art Finland funding for her research visit in Helsinki (2018). My curatorial work has been featured online in Art Viewer, WallPaper and ArtPiq, and in print publications JAWS: Journal of Arts Writing by Students and Friends of the Artists.
I hold a Master’s degree in Arts and Cultural Management from the University of Paris-Dauphine and a Bachelor’s degree in International Business from Dublin City University, with a major in Digital Marketing. I’m a member of the Green Art Lab Alliance, the Future Bank Materials working group and the Ki Culture professional network.
If you think we’re a good fit, email me!
curriculum vitae
Talks, lectures, workshops
2025, Speaker, Arts visuels : mesurer et réduire l’empreinte carbone, penser l’adaptation climatique, FRAAP, Air de Midi, FRAC and Diagonal, on behalf of On The Move, France, online webinar
2025, Speaker, Bodies of Water Symposium: Regenerative Art Practice, UP Projects Symposium at the Liverpool Biennale, Liverpool, UK
2025, Speaker, Professional seminar: How to integrate social ecology into cultural and artistic practices?, Festival Furies, Hand to Hand, Châlons-en-Champagne, France
2025, Lecturer, Sustainable Exhibition Making, Art and Creative Ecologies, Creative Futures Academy, National College of Art & Design, Dublin, online
2024, Speaker, Thinking Forest: Growing Roots (as art economy), Landgoed Welna, Netherlands
2024, Speaker, Museum as Infrastucture, workshop, Amsterdam
2024, Speaker, Environmental Sustainability Practices in Artistic and Cultural Organisations, O Espaço do Tempo and Marca ADL, Portugal, online
2023, Lecturer, Sustainable Exhibition Making, Art and Creative Ecologies, Creative Futures Academy, National College of Art & Design, Dublin, online
2023, Speaker, BFI FAN: Green Hour – Digital Sustainability, British Film Institute, online
2023, Speaker, Sustainable Digital Creativity, AVARA – Art & Tech, TAIKE, online
2023, Speaker, On Culture and Measurement: New Approches for the Common Good, Ars Electronica, Linz
2023, Lead Expert, Non-economic Business Models in the cultural sector, European CCI Thrive Workshop, Ars Electronica, Linz
2023, Guest Critic, Diploma Unit 1, AA School of Architecture, London
2022, Speaker, Every Job is a Sustainability Job, UNESCO’s new global network: ESD-Net 2030 launch webinar, online
2022, Speaker, Rural Radicals, Lisbon International Music Network, online
2022, Lecturer, Uncivilised Paradigms, BJCEM, DE.A.RE – DEconstruct And Rebuild project, Creative Europe Program, European Union, online
2022, Speaker, Musées et transition socioécologique, La Société des musées du Québec, online
2022, Lecturer, Curating sustainable projects, Curate for Change, Barcelona (postponed)
2022, Speaker, Focus on residencies, exhibitions and projects around (no)-mobility’s challenges, On the Move, Cité International des Arts, Paris
2022, Lecturer, Curating ecologically sensitive exhibitions, Ki Futures Core Training on Exhibitions, Ki Culture, online
2022, Speaker, Introduction to Environmentally Sustainable Artist Studio Practices, Blank100, Craveiral, Portugal
2022, Speaker, Sustainability on Display: Preservation-Friendly Ways of Reducing the Carbon Footprint of Museum Exhibits, Image Permanence Institute, online
2022, Lecturer, Curatorial Practices and the Environment: Changes and Challences, Post-Graduate Programme ‘Politics of Curating Contemporary Art’, FCH – Universidade Católica Portuguesa, School of Human Sciences, Lisbon (postponed)
2022, Lecturer, An Environmental Approach to Curating, Gerador, Lisbon
2021, Speaker, S’inspirer de l’économie circulaire pour monter son exposition, Cycle ‘Les Musées à l’heure de l’urgence environnementale’, Association Mêtis, France
2021, Speaker, Is it Sustainable? Responsibilities of the Art World for Climate Change, Art Curator Grid, online
2021, Speaker, [re]Framing the Arts: A Sustainable Shift, Art Switch, online
2021, Speaker, Curating an Ecologically Sensitive Exhibition, Ki Culture, online
2020, Speaker, Eco-Culture, Summer School for the Study of Culture, Universidade Católica Portuguesa | School of Human Sciences, Lisbon
2020, UAL Short Course Tutor, Sustainable Exhibition Management, Central Saint Martins, London (cancelled due to pandemic)
2019, Speaker, Into the Wild, Chisenhale Studios, London
2018, Guest Critic, Diploma Unit 1, AA School of Architecture, London
2018, Panel Discussion with Kimathi Donkor and Marcus Coates, Art and politics in uncertain times, Wimbledon College of Arts, London
2018, Speaker, Introduction to contemporary art curation, Eclectic Minds, London
Curated exhibitions
2022—2023, Chasseurs de Tempêtes (Storm Hunters), CAC Passerelle, France
2022, Chasseurs de Tempêtes (Storm Hunters), Porta33, Madeira
2020—2021, Triple Point, Belo Campo, Lisbon
2020, What Now?, Umbigo, online
2019, Everything’s Mustard, Picnic, London
2019, Podium Sales, Picnic, London
2019, Out Of Office, PADA, Lisbon
2019, Skeuomorph, Picnic, London
2019, Hyper Mesh, Assembly Point, London
2018, Engine, Picnic, London
2018, Serious Hats, Picnic, London
2018, Bored but secured, Wozen, Lisbon
2018, Acts of disruption, The Concept Space, London
2017, A series of pocket Utopias, Yellow Brick and Snehta, Athens
2017, Right Through You, The Koppel Project Hive, London
2017, Le Bal d’Artemis Act II, The Koppel Project Hive, London
2016, Zone d’Utopie Temporaire – Part II, The Koppel Project Hive, London
2015, Le corps comme activateur d’art numérique, Le Carreau du Temple, Paris
2015, Prix Canson finalists, Palais de Tokyo, Paris / co-curated with Mr Laurent Boudier
2015, Zone d’Utopie Temporaire – Part I, L’Amour, Paris
2015, D’un rêve à l’autre, L’Amour, Paris
2015, De l’autre côté du rêve, Le Huit, Paris
Published texts
2022, Chasseurs de Tempêtes (Storm Hunters): The Ocean as a Living Entity, Atlantida Magazine, Instituto Açoriano da Cultura
2022, Towards Permacultural Art Practices, Umbigo Magazine, issue 80
2022, The Future is Ancestral, Z33, online
2021, Environmentally Sustainable Artist Studio Practices, villa villa, survey report
2021, Plant Data: Beyond our Understanding of Plant Communication, Contemporary HUM
2021, Interview with Merav Kamel and Halil Balabin, Friend of the Artist, volume 13
2021, Ecological Self, Umbigo Magazine, issue 75
2021, Interview Feel the Tides in your Body with Hannah Rowan, Umbigo Magazine, issue 75
2019, Interview with Nora Arrieta, Friend of the Artist, online
2018, Guest Editorial, JAWS: Journal of Arts Writing by Students, Volume 4, Number 2, 1 September 2018, pp. 101-106(6)
curriculum vitae
Talks, lectures, workshops
2025, Speaker, Arts visuels : mesurer et réduire l’empreinte carbone, penser l’adaptation climatique, FRAAP, Air de Midi, FRAC and Diagonal, on behalf of On The Move, France, online webinar
2025, Speaker, Bodies of Water Symposium: Regenerative Art Practice, UP Projects Symposium at the Liverpool Biennale, Liverpool, UK
2025, Speaker, Professional seminar: How to integrate social ecology into cultural and artistic practices?, Festival Furies, Hand to Hand, Châlons-en-Champagne, France
2025, Lecturer, Sustainable Exhibition Making, Art and Creative Ecologies, Creative Futures Academy, National College of Art & Design, Dublin, online
2024, Speaker, Thinking Forest: Growing Roots (as art economy), Landgoed Welna, Netherlands
2024, Speaker, Museum as Infrastucture, workshop, Amsterdam
2024, Speaker, Environmental Sustainability Practices in Artistic and Cultural Organisations, O Espaço do Tempo and Marca ADL, Portugal, online
2023, Lecturer, Sustainable Exhibition Making, Art and Creative Ecologies, Creative Futures Academy, National College of Art & Design, Dublin, online
2023, Speaker, BFI FAN: Green Hour – Digital Sustainability, British Film Institute, online
2023, Speaker, Sustainable Digital Creativity, AVARA – Art & Tech, TAIKE, online
2023, Speaker, On Culture and Measurement: New Approches for the Common Good, Ars Electronica, Linz
2023, Lead Expert, Non-economic Business Models in the cultural sector, European CCI Thrive Workshop, Ars Electronica, Linz
2023, Guest Critic, Diploma Unit 1, AA School of Architecture, London
2022, Speaker, Every Job is a Sustainability Job, UNESCO’s new global network: ESD-Net 2030 launch webinar, online
2022, Speaker, Rural Radicals, Lisbon International Music Network, online
2022, Lecturer, Uncivilised Paradigms, BJCEM, DE.A.RE – DEconstruct And Rebuild project, Creative Europe Program, European Union, online
2022, Speaker, Musées et transition socioécologique, La Société des musées du Québec, online
2022, Lecturer, Curating sustainable projects, Curate for Change, Barcelona (postponed)
2022, Speaker, Focus on residencies, exhibitions and projects around (no)-mobility’s challenges, On the Move, Cité International des Arts, Paris
2022, Lecturer, Curating ecologically sensitive exhibitions, Ki Futures Core Training on Exhibitions, Ki Culture, online
2022, Speaker, Introduction to Environmentally Sustainable Artist Studio Practices, Blank100, Craveiral, Portugal
2022, Speaker, Sustainability on Display: Preservation-Friendly Ways of Reducing the Carbon Footprint of Museum Exhibits, Image Permanence Institute, online
2022, Lecturer, Curatorial Practices and the Environment: Changes and Challences, Post-Graduate Programme ‘Politics of Curating Contemporary Art’, FCH – Universidade Católica Portuguesa, School of Human Sciences, Lisbon (postponed)
2022, Lecturer, An Environmental Approach to Curating, Gerador, Lisbon
2021, Speaker, S’inspirer de l’économie circulaire pour monter son exposition, Cycle ‘Les Musées à l’heure de l’urgence environnementale’, Association Mêtis, France
2021, Speaker, Is it Sustainable? Responsibilities of the Art World for Climate Change, Art Curator Grid, online
2021, Speaker, [re]Framing the Arts: A Sustainable Shift, Art Switch, online
2021, Speaker, Curating an Ecologically Sensitive Exhibition, Ki Culture, online
2020, Speaker, Eco-Culture, Summer School for the Study of Culture, Universidade Católica Portuguesa | School of Human Sciences, Lisbon
2020, UAL Short Course Tutor, Sustainable Exhibition Management, Central Saint Martins, London (cancelled due to pandemic)
2019, Speaker, Into the Wild, Chisenhale Studios, London
2018, Guest Critic, Diploma Unit 1, AA School of Architecture, London
2018, Panel Discussion with Kimathi Donkor and Marcus Coates, Art and politics in uncertain times, Wimbledon College of Arts, London
2018, Speaker, Introduction to contemporary art curation, Eclectic Minds, London
Curated exhibitions
2022—2023, Chasseurs de Tempêtes (Storm Hunters), CAC Passerelle, France
2022, Chasseurs de Tempêtes (Storm Hunters), Porta33, Madeira
2020—2021, Triple Point, Belo Campo, Lisbon
2020, What Now?, Umbigo, online
2019, Everything’s Mustard, Picnic, London
2019, Podium Sales, Picnic, London
2019, Out Of Office, PADA, Lisbon
2019, Skeuomorph, Picnic, London
2019, Hyper Mesh, Assembly Point, London
2018, Engine, Picnic, London
2018, Serious Hats, Picnic, London
2018, Bored but secured, Wozen, Lisbon
2018, Acts of disruption, The Concept Space, London
2017, A series of pocket Utopias, Yellow Brick and Snehta, Athens
2017, Right Through You, The Koppel Project Hive, London
2017, Le Bal d’Artemis Act II, The Koppel Project Hive, London
2016, Zone d’Utopie Temporaire – Part II, The Koppel Project Hive, London
2015, Le corps comme activateur d’art numérique, Le Carreau du Temple, Paris
2015, Prix Canson finalists, Palais de Tokyo, Paris / co-curated with Mr Laurent Boudier
2015, Zone d’Utopie Temporaire – Part I, L’Amour, Paris
2015, D’un rêve à l’autre, L’Amour, Paris
2015, De l’autre côté du rêve, Le Huit, Paris
Published texts
2022, Chasseurs de Tempêtes (Storm Hunters): The Ocean as a Living Entity, Atlantida Magazine, Instituto Açoriano da Cultura
2022, Towards Permacultural Art Practices, Umbigo Magazine, issue 80
2022, The Future is Ancestral, Z33, online
2021, Environmentally Sustainable Artist Studio Practices, villa villa, survey report
2021, Plant Data: Beyond our Understanding of Plant Communication, Contemporary HUM
2021, Interview with Merav Kamel and Halil Balabin, Friend of the Artist, volume 13
2021, Ecological Self, Umbigo Magazine, issue 75
2021, Interview Feel the Tides in your Body with Hannah Rowan, Umbigo Magazine, issue 75
2019, Interview with Nora Arrieta, Friend of the Artist, online
2018, Guest Editorial, JAWS: Journal of Arts Writing by Students, Volume 4, Number 2, 1 September 2018, pp. 101-106(6)